Dream Galaxy

Diary & poem of record · Death & the departed

Dreaming of my late wife at her window

Mizhou (Zhucheng, Shandong), China · 20th day of the 1st lunar month, 1075

十年生死兩茫茫,不思量,自難忘。千里孤墳,無處話淒涼。縱使相逢應不識,塵滿面,鬢如霜。夜來幽夢忽還鄉,小軒窗,正梳妝。相顧無言,惟有淚千行。料得年年腸斷處,明月夜,短松岡。

Original text — To the Tune of Jiangchengzi: Recording a Dream on the 20th Night of the First Month, Su Shi

Ten years, living and dead, lost to each other. I do not try to remember, yet cannot forget. Her lonely grave a thousand li away, nowhere to speak of my sorrow. Even if we met she would not know me — face full of dust, temples like frost. Last night in a dark dream I suddenly went home: at the little window she was combing her hair. We looked at each other without a word, only a thousand lines of tears. Year after year, the place that breaks my heart: a moonlit night, a hill of short pines.

Translation · Editorial translation (draft)

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Source
To the Tune of Jiangchengzi: Recording a Dream on the 20th Night of the First Month — Su Shi, 1075
Rights
Public domain (ancient text)
Record type
Diary & poem of record
Place
Mizhou (Zhucheng, Shandong), China · Chinese
Date
20th day of the 1st lunar month, 1075
Uncertainty
Low — Su Shi's lyric for his wife Wang Fu, who died in 1065. The title itself records the night of the dream.
Imagery
Partner · House · Moon · Grave
Feelings
Grief · Longing · Tenderness

How traditions have read this kind of dream

Psychological

Dreams of the dead returning are widely reported after bereavement. Ellis noted how such dreams often move, over years, from disbelief to quiet acceptance; many people describe them as comforting rather than frightening.

Ellis (1911), ch. VIII

Mythological

In Homer, dreams pass through gates of horn and ivory; across many cultures the dead were believed to visit the living in sleep, and dreams were a place where the two could meet.

Odyssey XIX

Chinese traditions

Chinese poets wrote dreams of the departed as acts of remembrance: Su Shi’s “Ten years, living and dead” and Du Fu’s “My old friend entered my dream” are read to this day as elegies.

Su Shi (1075); Du Fu (759)

These are cultural lenses, not a diagnosis.

Dreams that share its images