Dream Galaxy

Memoir · Transformation

Two to three hundred lines composed in sleep

Exmoor, Somerset, England · summer 1797

The Author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines

Original text — The Complete Poetical Works of S. T. Coleridge, vol. 1, Samuel Taylor Coleridge

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Source
The Complete Poetical Works of S. T. Coleridge, vol. 1 — Samuel Taylor Coleridge, 1816 (preface). Preface to Kubla Khan
Rights
Public domain (author died 100+ years ago)
Record type
Memoir
Place
Exmoor, Somerset, England · British
Date
summer 1797
Uncertainty
Moderate — Coleridge’s own account (1816), written in the third person; the visitor “from Porlock” interrupted him.
Imagery
Palace · Garden · Writing · Book
Feelings
Wonder · Helplessness

How traditions have read this kind of dream

Psychological

Dreams of becoming someone or something else, or of not knowing whether one is awake, have long interested writers on lucid dreaming; Stevenson credited such night work with parts of Jekyll and Hyde.

Stevenson (1888)

Mythological

Metamorphosis is one of mythology’s oldest engines — Ovid’s Metamorphoses gathers hundreds of beings changed into trees, birds and stars.

Ovid, Metamorphoses

Chinese traditions

Zhuangzi’s butterfly dream gave Chinese thought the idea of wuhua, “the transformation of things”, and the phrase “Zhuang Zhou dreams of the butterfly” remains shorthand for the blurred line between self and world.

Zhuangzi, Qiwulun

These are cultural lenses, not a diagnosis.

Dreams that share its images